Posts Tagged ‘Adobe photoshop CS4’

Jellyfish

March 23rd, 2010
Acromitus-flagellatus Jellyfish

Acromitus-flagellatus Jellyfish

During the Theyyam photography, I visited nearby Chithari river. Chithari were the Theyyam was held is a coastal village at Kasaragod district, is located 5 KM away from Kanhangad City and 5 KM away from famous tourist spot of Bekal fort. The Chithari river covers three part of Chithari. The name Chithari mean “River rounded place” is derived from Chuttum Arru (Arru = river).

There was a temporary bamboo bridge across the river and inside the river I could spot plenty of white blobs floating. On close observation they turned out to be jelly fishes. Sine the river was far way down from the bridge and since I did not have the water proofing equipment for my camera, I resorted to take pictures of the jellyfish from the bamboo bridge. I used Canon EF 300mm f/4.0 L IS USM lens on Canon EOS 7D with 77mm Circular Polarizing filter. This filter allowed me to avoid much of the reflection of the muddy water.

Levels Adjustment in Adobe Photoshop CS4

Levels Adjustment in Adobe Photoshop CS4

I had to post process these picture using Adobe Photoshop CS4 to get rid of the murkiness of the water. What you need to do in such a murky shot is to reduce both the white point as well as black point in the Levels adjustment. For the picture above the when you change white point of the histogram to 200 and black point to 60 as you see the the accompanying screen shot the image transforms to the one you see. This same technique can be used in any washed out photo like one on a foggy day, when you want to clear the fog in the picture.

It tuned out that this jellyfish is Acromitus flagellatus which belongs to Order Rhizostomeae, Family Catostylidae.

Acromitus-flagellatus Jellyfish

Acromitus-flagellatus Jellyfish

Few marine creatures are as mysterious as the jellyfish which is often misunderstood by bathers and beach goers, who react with fear upon encountering this creature. When a human is stung, the victim may experience skin rashes, muscle cramps, or even death.

Commonly known members of Cnidaria, neither of which is considered a true jellyfish are the Portuguese Man-of-War (Physalia physalis) and the Sea Wasp (Chiropsalmus quadrumanus). Although a member of the phylum Cnidaria, the Portuguese man-of-war is not a true jellyfish. These animals consist of a complex colony of individual members, including a float, modified feeding polyps and reproductive medusae. Though pain from its sting may be accompanied by headaches, shock, collapse, faintness, hysteria, chills, fever, nausea and vomiting, this cnidarian is not the most harmful to humans.

The Sea Wasp known as the Box Jelly because of its cube-shaped bell, is one of the most venomous of the pseudo-jellyfish. Their potent sting can cause severe dermatitis and may even require hospitalization for humans. Sea wasps are strong, graceful swimmers reaching 150 mm in diameter and in height. Several long tentacles hang from the four corners of the cube. A similar species, the four-tentacled Tamoya haplonema, occurs along the east coast of the United States. Chironex fleckeri is a small tropical Cubomedusea and has been responsible for over 50 fatalities along the Australian coast. The toxins are so potent to humans that death can occur in three to twenty minutes after the sting.

Acromitus-flagellatus Jellyfish

Acromitus-flagellatus Jellyfish

Jellyfish inhabit every major oceanic region of the world and are capable of withstanding a wide range of salinity and temperature. Most jellyfish live in shallow coastal waters, but a few species inhabit depths of 4600 meters. In northern waters, large groups of jellyfish several kilometers long sometimes hamper fishing by clogging nets. Jellyfish range in size from a mere twelve millimeters to more than two meters across, the largest is Cyanea arctica, which may have tentacles over 40 meters long. Despite their often enormous size, jellyfish have no head, no skeleton, and no special organs for respiration or excretion.

Instead of a brain, true jellyfish possess an elementary nervous system, which consists of receptors capable of detecting light, odor and other stimuli and coordinating appropriate responses. Scyphozoans have very efficient sensory receptors. They have a balance organ called a statocyst, simple light detectors called ocelli and some species have touch receptors called sensory lappets. These simple organs are distributed around the margins in club-shaped structures called rhopalia. The rhopalia hang freely around the bell at the margin. Each of the rhopalia is next to sensory cilia. If the animal tilts in a particular direction, the statocysts press against the cilia, causing the nerve cells to generate their action potentials. This system provides a mechanism through which the animal can become informed of its orientation and can alter its posture by stronger contractions on one side of the bell .

Acromitus-flagellatus Jellyfish

Acromitus-flagellatus Jellyfish

Life Cycle
The jellyfish’s life cycle is what truly distinguishes it. True jellyfish have two distinct body forms, medusae and polyp, reproduce both sexually and asexually, and go through five life stages: egg, planula, polyp, ephyra and medusae. Parental care in the class Scyphozoa is not known to occur. Jellyfish normally live three to six months.

Locomotion
The adult medusa jellyfish drifts in the water with limited control over its movements. When the animal contracts its circular and radial muscles, the volume of water enclosed under the bell decreases propelling the animal. The net forward movement of the animal occurs primarily because the speed with which the bell contracts exceeds that speed with which the bell recoils to its resting state. This pulsating rhythm allows for some regulation of vertical movement. Because scyphomedusae are sensitive to light, this vertical movement can be important. Some jellyfish, like the (Aurellia), descend to deeper waters during the bright sun of the midday and surface during early morning, late afternoon and evenings. Despite this ability to move vertically, jellyfish depend upon ocean currents, tides and wind for horizontal movement. It is the world wide ocean currents that are responsible for the successful distribution of scyphozoans.

Jellyfish have evolved to produce a very unique and efficient means of capturing various types of prey. They also have a short life span and an amazing life cycle that can produce many offspring that are able to drift with the currants to be dispersed almost anywhere. Jellyfish are known to inhabit all levels of ocean, in all latitudes worldwide, which speaks of their adaptive abilities.

Jellyfish may appear to have no apparent value, but they are, in fact, a very important part of the marine food web. One species, the Mushroom Jelly, is even considered a delicacy by humans. Both fresh and pickled mushroom jellyfish are consumed in large quantities in China and Japan.

EXIF info…
Camera: Canon EOS 7D
Lens: EF300mm f/4L IS USM
Exposure Mode: Auto exposure
Exposure Time: 1/350 sec.
Exposure Bias: 0.0
Aperture (F Stop): f/5.6
ISO Used: 400
Flash Used: Flash did not fire, compulsory flash mode.
White Balance: 0
Focal Length: 300.0 mm
Metering Mode: Pattern
Date Time: 2010:03:06 11:21:51
GPS Location in Google Map:
12° 21' 16.8793201133" N – 75° 3' 31.171319797" E
Copyright © Krishna Mohan
All rights Reserved
EXIF info…
Camera: Canon EOS 7D
Lens: EF300mm f/4L IS USM
Exposure Mode: Auto exposure
Exposure Time: 1/350 sec.
Exposure Bias: 0.0
Aperture (F Stop): f/5.6
ISO Used: 400
Flash Used: Flash did not fire, compulsory flash mode.
White Balance: 0
Focal Length: 300.0 mm
Metering Mode: Pattern
Date Time: 2010:03:06 11:21:52
GPS Location in Google Map:
12° 21' 16.8793201133" N – 75° 3' 31.171319797" E
Copyright © Krishna Mohan
All rights Reserved
EXIF info…
Camera: Canon EOS 7D
Lens: EF300mm f/4L IS USM
Exposure Mode: Auto exposure
Exposure Time: 1/350 sec.
Exposure Bias: 0.0
Aperture (F Stop): f/5.6
ISO Used: 400
Flash Used: Flash did not fire, compulsory flash mode.
White Balance: 0
Focal Length: 300.0 mm
Metering Mode: Pattern
Date Time: 2010:03:06 11:21:52
GPS Location in Google Map:
12° 21' 16.8793201133" N – 75° 3' 31.171319797" E
Copyright © Krishna Mohan
All rights Reserved
EXIF info…
Camera: Canon EOS 7D
Lens: EF300mm f/4L IS USM
Exposure Mode: Auto exposure
Exposure Time: 1/500 sec.
Exposure Bias: 0.0
Aperture (F Stop): f/5.6
ISO Used: 640
Flash Used: Flash did not fire, compulsory flash mode.
White Balance: 0
Focal Length: 300.0 mm
Metering Mode: Pattern
Date Time: 2010:03:06 11:22:13
GPS Location in Google Map:
12° 21' 16.8793201133" N – 75° 3' 31.171319797" E
Copyright © Krishna Mohan
All rights Reserved

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Posted in Nature, Photography, Wildlife | Comments (13)

Focus Stacking Using CombineZ

April 24th, 2009
Focus Stacking Using CombineZ

Focus Stacking Using CombineZ

After trying out the Auto-Blending in Photoshop CS4 I wanted to compare this method with my other favorite focus stacking software CombineZ. There are quite a few tutorials out there on usage of the CombineZ. I highly recommend the great tutorial from Brian at Digital grin. Brian is one of the greatest Macro specialist I have seen. he as also a great teacher you can check his work at http://www.flickr.com/photos/lordv/ & http://www.lordv.smugmug.com

I tried the same set of files which were used for the Auto-Blending in Photoshop CS4 Tutorial. The result was far better with CombineZ. Also the alignment of the various layers was perfect in CombineZ, which in CS4 you need to run auto-align layers separately.

Then I tried manual hand stacking in CombineZ as well as CS4. This is a method which is well explained in CombineZ help file is useful when softwares find difficult to align several layers. CS4 does not provide any such method. If auto-blending is unsuccessful by cs4 there is very little you can do as the masks which are produced by CS4 are quite complicated. Here CombineZ wind hands down.

To conclude CS4 auto-blending is easy and quite fast, where as CombineZ produces far better result. CombineZ also allows manual stacking and to top it all it is free.

The beetle you see with this picture is the same set as my Auto-Blending in Photoshop CS4 Tutorial. Here I have used CombineZ to stack photos compare the photo with the one I posted here

EXIF info…
Camera: Canon EOS 5D Mark II
Lens: EF100mm f/2.8 Macro USM
Exposure Mode: Manual exposure
Exposure Time: 1/200 sec.
Exposure Bias: 0.0
Aperture (F Stop): f/11.0
ISO Used: 200
Flash Used: Flash fired, compulsory flash mode.
White Balance: As Shot
Focal Length: 100.0 mm
Metering Mode: Pattern
Date Time: 2009:03:03 15:45:54
GPS Location in Google Map:
13° 4' 1.89696" N – 74° 59' 44.5520399667" E
Copyright © Krishna Mohan
All rights Reserved

Tags: , , , , ,
Posted in Photography, Photoshop | Comments (1)

Adobe Photoshop CS4 Auto-Blending Focus Tutorial

March 6th, 2009

The other day, I found a Long horned beetle clinging to the siding of my house. I grabbed my trusty Canon 5D Mark II and a Canon EF 100mm f/2.8 USM Macro lens and my Feisol tripod. As I could not get all the parts of this beetle in focus I remembered the auto-align and auto-blend trick I had seen in the new Adobe Photoshop CS4. Previously I had tried focus stacking using freeware combinez5 which produced fantastic results. On the web I could get quite a few video tutorials like this and this, explaining their technique but there was dearth of written tutorials with pictures. Probably it is easier nowadays to create a video tutorial and post. So here is my humble effort to show you how I did this. I recommend that you download the latest update of Adobe Photoshop CS4 11.0.1 which updates and improves the quality of the results of Auto-Blend Layers.

I shot this beetle which was sitting on a white dining mat. As the depth field at 1:1 macro setting was too shallow. I took 10 sequential shots maintaining same exposure settings on a tripod but just altering the point of focus little by little. I usually start from the nearest point which I try to be in sharp focus then try little further until I reach the last shot which has the farthest point in focus. Best method to do this is fix the focus on the lens and move the camera little by little forward and keep taking pictures of different focus points. This avoids the geometric distortion all together. Make sure while doing so you make sure that the exposure, speed as well as focus all are locked. This needs a real steady hand or a focusing rail connected to the tripod head.

If you don’t have them then you can try getting the shots by fixing the camera on the tripod and altering focus of the lens by adjusting manual focus ring. Auto focus is a big NO for this technique. Now with Adobe Photoshop CS4 you can easily correct the geometric distortion introduced by adjusting manual focus.

Export from Lightroom to Layers in Photoshop

Export from Lightroom to Layers in Photoshop

My work flow involves Adobe Lightroom 2.3 which manages all my files on my hard disk. Once you import the files from your card, select all the files which need to be blended and choose the option of edit in > Open as Layers in Photoshop. The step is same if you are using Bridge instead of Lightroom. Now Lightroom exports all the files to Photoshop into a single Photoshop document with multiple layers. Each layer consists of a single image. Here I have 10 images of this beetle consisting of various areas of  sharp focus resulting in 10 layers in the Photoshop document.

Select All Layers in Photoshop

Select All Layers in Photoshop

In Photoshop choose Select > All Layers.

Choose Auto-Align Layers

Choose Auto-Align Layers

Then choose Edit > Auto-Align Layers. The Auto-Align Layers dialog box opens.

Auto-Align Layer Dialog Box

Auto-Align Layer Dialog Box

Note: The Auto-Align Layers dialog box has a default Lens Correction setting of Geometric Distortion. This setting gives you the option of compensating for geometric distortion. In addition, the default Projection setting is Auto. When Auto is selected, Photoshop finds and compensates for certain kinds of lenses based on meta data information.

After Auto-Aligning Layers

After Auto-Aligning Layers

Now click OK to view the Auto-Aligned composition. Now all the images are perfectly aligned. You might notice the edges of the picture seems warped this is because Adobe Photoshop has now corrected the geometric distortion.

Auto-Blend Layers

Auto-Blend Layers

With all Layers still selected choose Edit > Auto-Blend Layers.

Auto-Blend Layers Dialog Box

Auto-Blend Layers Dialog Box

Select Stack Images from the Auto-Blend dialog box. Leave Seamless Tones And Colors selected.
Click OK.

If we had not done auto-align before doing the auto-blend then the geometric distortion would be there in these images. And that gives a strange halo effect near the edge of the beetle. So it is always advisable to run auto-align before auto-blend.

Auto-Blend Layers Progress

Auto-Blend Layers Progress

When you turn on the layers, you can see that the images now contain deep focus with all the points in focus.

Cropping in Photoshop

Cropping in Photoshop

Now its time to crop the edge so that main image looks clean. It also gets rid of the warped edges. Now its time to save the image and get back to Adobe Lightroom to further process if necessary. I found many a times the resulting image needs some exposure correction which can be easily done in Adobe Lightroom. Now here is the final image as exported from Adobe Lightroom.

Hope this tutorial was helpful, please ask me any steps if you have found difficult to follow. Please enter your valuable comments so that I can improve on my tutorial.

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Posted in Lightroom, Linux, Photography, Photoshop, Technology | Comments (19)

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